This past
Sunday at 4 pm I attended my third concert for my blog post. Unfortunately, I
was not able to attain a program, but the name of the person I listened to was
Sean Cotty. The concert was his senior piano recital, and it was very
enjoyable. Going alone gave me an advantage to listen to the technicalities of
the music even more. I arrived to the concert about ten minutes early so I was
able to listen to Sean rehearse before he actually started performing. He
warmed up with different types of scales, like the major and minor scale. Right
before he began the actual concert, he received a pep talk from what I’m
assuming was his professor. He told him that it didn’t matter if he messes up
or if sometimes the technicalities weren’t perfect; what really mattered was
the performance that he gave and to make sure that the audience felt the
emotion that should pour out of the songs that he played. He did in fact
successfully portray the emotions that the audience was supposed to hear. The
first composition that he played involved something electric along with it. It
was a very interesting piece that used what I would call diminished cords that
were pretty dissonant. It was definitely a modernistic approach to the
classical music that I was expecting to hear. The melody was hard to identify,
and there was no distinct rhythm throughout the piece. The texture was
something different from what I had ever heard before. Honestly, I did not really
like this particular piece because I did not find it pleasing to the ears at
all. My mind was instantly changed when he began his next song. It was
definitely a more classical piece, which was much more pleasing for me. There
was a clear meter of 4/4 and the tone was very light. The melody was obviously
heard in the higher keys on the piano, played with the right hand. The left
hand on the piano was used to play mostly the chords and the deeper tones that
you hear throughout the piece. This could be called a polyphonic texture, since
the hands are playing different things at the same time. Even though I didn’t
particularly enjoy the first piece of the concert, I thought that it would have
been cool to hear something with the electronics again, just with some notes
that ended on more closed cadences rather than a numerous amount of open ones.
The next song that was played was very similar to the second. It was still in
the classical genre, but it had much more deeper tones throughout the piece.
There was still a distinct 4/4 meter, and the phrases were all closed and
sounded pleasing to the ear. The melody was again clearly played on the higher notes
of the piano. Despite having the same meter, the rhythm was a lot faster and
sometimes it was a little syncopated. All in all, this concert was not my
favorite. I did enjoy the more classical pieces, but the electronic piece threw
me off a little bit. I would’ve also liked to hear more diverse pieces, but I
did still find it enjoyable. Anytime I can be entertained with music, I find it
very rewarding.
Emma's Blog
Thursday, November 21, 2013
Sunday, November 17, 2013
Thursday, November 14, 2013
Rite of Spring
file://localhost/Users/emmamoran/Music/iTunes/iTunes%20Media/Music/Zubin%20Mehta%3B%20New%20York%20Philharmonic/Le%20Sacre%20Du%20Printemps%20(_The%20Rite%20Of%20Spring_)/01%20The%20Rite%20Of%20Spring,%20Part%201.mp3
Thesis: In Stravinsky’s nature
inspired “Rite of Spring”, he uses the aspects of fragmentation, disjunction
and stratification to express the 20th century aesthetics if
modernism.
First Paragraph: talks about the
fragmentation in this piece, meaning the breaking up of the music into smaller
parts
Second Paragraph: I will transition
into the disjunction in the piece, explaining the short gestures and that there
is not a lot of connection between the different sections
Third Paragraph: I will transition from
disjunction to my final point of stratification, or the different layers of
music throughout the piece
Igor Stravinky’s “Rite of Spring”
was the most influential piece of music in the 21st century. It made
an extensive impact on the way music was played and listened to. At the time,
this work was not accepted by the people who came to the ballet, the music even
induced a riot to occur at its opening. This is because of the new style of music
that broke altogether from the Romantic past, modernism. Modernism was a
completely different approach to the world of music, making music sound chaotic
or unstable. The music was known to reflect the turmoil in the world going on
at its specific time. In Stravinsky’s nature inspired, “Rite of Spring”,
(minutes 6:20-7:30) he uses the aspects of fragmentation, disjunction, and
stratification to express the 20th century aesthetics of modernism.
Because there is an unclear phrase
structure throughout the piece, there was bound to be fragmentation occurring
rather often. Fragmentation is the breaking up of music into smaller parts.
This can be seen in the piece when the timpani’s played at 6:32, 6:36 and some
other parts. It plays two distinct deep notes one after the other, causing the
seemingly longer parts to be shortened by the timpani. This puts the measures
into fragments, which makes it hard to discover a meter or phrase throughout
the piece. The melody, played by the strings, is what the timpani cuts into
these non-distinct fragments. One of the major qualities of 20th
century modernism, fragmentation, was definitely heard throughout this section
of Rite of Spring.
In addition to the fragmentation
heard, there are also plenty moments of disjunction, another large aspect of
the modernism era. Disjunction is the short gestures heard throughout the
piece, making the connection between sections seem non-existent. This can
easily be heard in the time slot from 6:44-7:00. When the brass comes in for
their short sections, it sounds random and disconnected. This is because the
percussion, piccolo and string instruments are all playing a completely
different thing at the same time that the brass is coming in. This texture
gives the feeling of the oxymoron, an organized chaos. I could not find one
distinct melody in this section, but the brass definitely did stick out when it
made its musical appearance. The disjunction heard in this particular part was
very evident, providing yet another from of 20th century modernism.
The form of modernism that was
witnessed most not only in this section of music, but the whole piece, was
stratification. Stratification is the different layers of instruments being
played at the same time. It is seen frequently but to focus on one section,
seconds 7:10-7:30, contains a great deal of this form. You can hear the
different layers specifically in the strings, timpani sections, brass
instruments, and the woodwinds. They all add various timbers to the piece that
give it the structural layers that stratification consists of. The various
layers give the piece more texture and it is still unknown to where the melody
lies.
Taking aspects from the primitive
world of tribal sacrifices and traditional dance music from Russia, it was no
surprise that people were astonished when this music was first laid upon their
ears. The modernistic style that Stravinsky brought into the world changed the
pathway of music forever. People at the time would’ve called it terrible or
just “noise” but currently we are able to establish the true art behind
Stravinsky’s modern ideals. He brought the qualities of fragmentation,
disjunction and stratification to life, giving a brand new meaning to music in
the world.
Sunday, October 27, 2013
African Drum and Dance Ensemble Concert Report #2
On
Thursday, October 24th, at 8:15 PM I attended the African Drum &
Dance Ensemble Performance. One thing that was special about this performance,
was that beforehand myself and about 15 other people had a hour long session
learning how to use these drums and some of the history of the music. We
learned about the different symbols engraved on the various drums that meant
different inspirational things such as peace or tranquility. We also learned
how to create different rhythms on the drums by going around in a circle and
each person making up their own distinct rhythm from our imaginations. It was
interesting to hear everyone’s different styles, and to make rounds with the
different rhythms. If we hit the center of the drum, the deepest noise came out
of it, which was like the bass line of the music. If the side was hit, it was
called the tonal part, and there was also another way to hit it, called the
slap. All three different ways of hitting the drum made very different noises
and that was also interesting to hear. I really enjoyed the class that I got to
take, and it really opened my eyes to the varieties of music out there. Right
after the hour-long class, we headed straight to the concert, which was simply
amazing. From the beginning I was instantly intrigued and was moved so greatly
by the music and dancing. It was so much to listen to and I wanted to get up on
the stage and dance with them! The first song was called Calabash and it was
performed by the Seminar class. It was a traditional song and dance from Mali,
and it was very upbeat and intense. There was not one second during any of the
songs that I wasn’t amazed by the intense drum beats or the stylistic dancing.
There were many more songs performed, called Gyil, Kundun, Sinta, Gahu, Jare,
and Adjogbo. I’d say the two most memorable pieces were the two performed by
the African Drum and Dance Ensemble rather than the Seminar class. These two
were Jare and Adjogbo. They both featured a guest from Africa named Sulley
Imoro. The culture and greatness he brought to the stage made everyone shine
even more. He was accompanied by students that have actually taken the class in
Africa, which made the performance that much more believable. During a few of
the songs, there was singing that was done in the African language, which added
to the texture of the different instruments being played. This type of music is
not very comparable to anything that we learned in class. It is its own genre
of music that I found so interesting, fun and amazing. I definitely enjoyed
this concert thoroughly and would recommend anyone to go see it in the future
if given the chance.
Thursday, October 24, 2013
Romanticism Painting
In this beautiful painting, “Wanderer Above Sea
of Mist” by the German artist, Caspar David Friedrich, it is obvious to see the
Romantic ideals. It was painted in the prime of the Romantic Era in 1818 with
oil on canvas. In the foreground of the picture, there is a seemingly young man
standing on a vast rocky scenery which appears to be very high. He is gazing
into the distance over a sea of mist or fog. It is left up to interpretation
why this man would be standing in this spot. With the title being “Wanderer
Above Sea of Mist”, it leads me to think that this man is an adventurer. That
he is exploring the unknown to fulfill his curiosities in some way. This ties
in with the characteristic of romanticism, the rugged individual. From this
perspective it is obvious to see that this man is by himself and from the title
you get the feeling that he is a dreamer as well, which is another name for an
individual. He is alone in his ways of travel, but that fits in with the
aesthetics of romanticism perfectly. Another aspect of romanticism that could
be seen in this painting is a longing for the infinite. This may not be
something that is thought of right away at first glance of this piece of art,
but when you think harder about it, it can be seen. In my mind, I thought, what
is this man thinking? Why is he all the way on the top of this rock? I came to
believe that he was searching or longing for something, which ties into the
longing for the infinite. Lastly, the most obvious romantic aspect of this oil
painting is the glorification of nature seen within it. Everything from the
gorgeous sky, to the mysterious mountains in the distance, to the wispy fog and
jagged rocks, nature is caught in a purely authentic form in this artwork.
Romanticism was the start of a whole new generation of art, and I think it was
one of the greatest eras without a doubt. The whole new approach and idea of
Romanticism gave an attitude to art that was never seen before. The “Wanderer
Above Sea of Mist” was an excellent example to explain the true ideals and
aesthetics of the Romantic Era.
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