tag:blogger.com,1999:blog-29802154457618739892024-02-18T20:51:46.075-08:00Emma's BlogAnonymoushttp://www.blogger.com/profile/08377162148355478102noreply@blogger.comBlogger12125tag:blogger.com,1999:blog-2980215445761873989.post-38955812439347072922013-11-21T08:17:00.001-08:002013-11-21T08:17:09.185-08:00Concert Report #3
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This past
Sunday at 4 pm I attended my third concert for my blog post. Unfortunately, I
was not able to attain a program, but the name of the person I listened to was
Sean Cotty. The concert was his senior piano recital, and it was very
enjoyable. Going alone gave me an advantage to listen to the technicalities of
the music even more. I arrived to the concert about ten minutes early so I was
able to listen to Sean rehearse before he actually started performing. He
warmed up with different types of scales, like the major and minor scale. Right
before he began the actual concert, he received a pep talk from what I’m
assuming was his professor. He told him that it didn’t matter if he messes up
or if sometimes the technicalities weren’t perfect; what really mattered was
the performance that he gave and to make sure that the audience felt the
emotion that should pour out of the songs that he played. He did in fact
successfully portray the emotions that the audience was supposed to hear. The
first composition that he played involved something electric along with it. It
was a very interesting piece that used what I would call diminished cords that
were pretty dissonant. It was definitely a modernistic approach to the
classical music that I was expecting to hear. The melody was hard to identify,
and there was no distinct rhythm throughout the piece. The texture was
something different from what I had ever heard before. Honestly, I did not really
like this particular piece because I did not find it pleasing to the ears at
all. My mind was instantly changed when he began his next song. It was
definitely a more classical piece, which was much more pleasing for me. There
was a clear meter of 4/4 and the tone was very light. The melody was obviously
heard in the higher keys on the piano, played with the right hand. The left
hand on the piano was used to play mostly the chords and the deeper tones that
you hear throughout the piece. This could be called a polyphonic texture, since
the hands are playing different things at the same time. Even though I didn’t
particularly enjoy the first piece of the concert, I thought that it would have
been cool to hear something with the electronics again, just with some notes
that ended on more closed cadences rather than a numerous amount of open ones.
The next song that was played was very similar to the second. It was still in
the classical genre, but it had much more deeper tones throughout the piece.
There was still a distinct 4/4 meter, and the phrases were all closed and
sounded pleasing to the ear. The melody was again clearly played on the higher notes
of the piano. Despite having the same meter, the rhythm was a lot faster and
sometimes it was a little syncopated. All in all, this concert was not my
favorite. I did enjoy the more classical pieces, but the electronic piece threw
me off a little bit. I would’ve also liked to hear more diverse pieces, but I
did still find it enjoyable. Anytime I can be entertained with music, I find it
very rewarding. <o:p></o:p></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/08377162148355478102noreply@blogger.com3tag:blogger.com,1999:blog-2980215445761873989.post-7521264453154079522013-11-17T11:40:00.002-08:002013-11-17T11:40:25.430-08:00Simple Joys-Pippin<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/7Y0ZvJBgCO8?feature=player_embedded' frameborder='0'></iframe></div>
<br />Anonymoushttp://www.blogger.com/profile/08377162148355478102noreply@blogger.com0tag:blogger.com,1999:blog-2980215445761873989.post-11027440824871176902013-11-14T06:13:00.002-08:002013-11-14T06:13:57.229-08:00Rite of Spring<br />
<div>
file://localhost/Users/emmamoran/Music/iTunes/iTunes%20Media/Music/Zubin%20Mehta%3B%20New%20York%20Philharmonic/Le%20Sacre%20Du%20Printemps%20(_The%20Rite%20Of%20Spring_)/01%20The%20Rite%20Of%20Spring,%20Part%201.mp3</div>
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<br /></div>
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Thesis: In Stravinsky’s nature
inspired “Rite of Spring”, he uses the aspects of fragmentation, disjunction
and stratification to express the 20<sup>th</sup> century aesthetics if
modernism. <o:p></o:p></div>
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First Paragraph: talks about the
fragmentation in this piece, meaning the breaking up of the music into smaller
parts<o:p></o:p></div>
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Second Paragraph: I will transition
into the disjunction in the piece, explaining the short gestures and that there
is not a lot of connection between the different sections<o:p></o:p></div>
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Third Paragraph: I will transition from
disjunction to my final point of stratification, or the different layers of
music throughout the piece<o:p></o:p></div>
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Igor Stravinky’s “Rite of Spring”
was the most influential piece of music in the 21<sup>st</sup> century. It made
an extensive impact on the way music was played and listened to. At the time,
this work was not accepted by the people who came to the ballet, the music even
induced a riot to occur at its opening. This is because of the new style of music
that broke altogether from the Romantic past, modernism. Modernism was a
completely different approach to the world of music, making music sound chaotic
or unstable. The music was known to reflect the turmoil in the world going on
at its specific time. In Stravinsky’s nature inspired, “Rite of Spring”,
(minutes 6:20-7:30) he uses the aspects of fragmentation, disjunction, and
stratification to express the 20<sup>th</sup> century aesthetics of modernism. <o:p></o:p></div>
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Because there is an unclear phrase
structure throughout the piece, there was bound to be fragmentation occurring
rather often. Fragmentation is the breaking up of music into smaller parts.
This can be seen in the piece when the timpani’s played at 6:32, 6:36 and some
other parts. It plays two distinct deep notes one after the other, causing the
seemingly longer parts to be shortened by the timpani. This puts the measures
into fragments, which makes it hard to discover a meter or phrase throughout
the piece. The melody, played by the strings, is what the timpani cuts into
these non-distinct fragments. One of the major qualities of 20<sup>th</sup>
century modernism, fragmentation, was definitely heard throughout this section
of Rite of Spring.<o:p></o:p></div>
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In addition to the fragmentation
heard, there are also plenty moments of disjunction, another large aspect of
the modernism era. Disjunction is the short gestures heard throughout the
piece, making the connection between sections seem non-existent. This can
easily be heard in the time slot from 6:44-7:00. When the brass comes in for
their short sections, it sounds random and disconnected. This is because the
percussion, piccolo and string instruments are all playing a completely
different thing at the same time that the brass is coming in. This texture
gives the feeling of the oxymoron, an organized chaos. I could not find one
distinct melody in this section, but the brass definitely did stick out when it
made its musical appearance. The disjunction heard in this particular part was
very evident, providing yet another from of 20<sup>th</sup> century modernism. <o:p></o:p></div>
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The form of modernism that was
witnessed most not only in this section of music, but the whole piece, was
stratification. Stratification is the different layers of instruments being
played at the same time. It is seen frequently but to focus on one section,
seconds 7:10-7:30, contains a great deal of this form. You can hear the
different layers specifically in the strings, timpani sections, brass
instruments, and the woodwinds. They all add various timbers to the piece that
give it the structural layers that stratification consists of. The various
layers give the piece more texture and it is still unknown to where the melody
lies. <o:p></o:p></div>
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Taking aspects from the primitive
world of tribal sacrifices and traditional dance music from Russia, it was no
surprise that people were astonished when this music was first laid upon their
ears. The modernistic style that Stravinsky brought into the world changed the
pathway of music forever. People at the time would’ve called it terrible or
just “noise” but currently we are able to establish the true art behind
Stravinsky’s modern ideals. He brought the qualities of fragmentation,
disjunction and stratification to life, giving a brand new meaning to music in
the world. <o:p></o:p></div>
<!--EndFragment--></div>
Anonymoushttp://www.blogger.com/profile/08377162148355478102noreply@blogger.com0tag:blogger.com,1999:blog-2980215445761873989.post-82037494697714947962013-10-27T14:23:00.000-07:002013-10-27T14:24:07.140-07:00African Drum and Dance Ensemble Concert Report #2<!--[if gte mso 9]><xml>
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On
Thursday, October 24<sup>th</sup>, at 8:15 PM I attended the African Drum &
Dance Ensemble Performance. One thing that was special about this performance,
was that beforehand myself and about 15 other people had a hour long session
learning how to use these drums and some of the history of the music. We
learned about the different symbols engraved on the various drums that meant
different inspirational things such as peace or tranquility. We also learned
how to create different rhythms on the drums by going around in a circle and
each person making up their own distinct rhythm from our imaginations. It was
interesting to hear everyone’s different styles, and to make rounds with the
different rhythms. If we hit the center of the drum, the deepest noise came out
of it, which was like the bass line of the music. If the side was hit, it was
called the tonal part, and there was also another way to hit it, called the
slap. All three different ways of hitting the drum made very different noises
and that was also interesting to hear. I really enjoyed the class that I got to
take, and it really opened my eyes to the varieties of music out there. Right
after the hour-long class, we headed straight to the concert, which was simply
amazing. From the beginning I was instantly intrigued and was moved so greatly
by the music and dancing. It was so much to listen to and I wanted to get up on
the stage and dance with them! The first song was called Calabash and it was
performed by the Seminar class. It was a traditional song and dance from Mali,
and it was very upbeat and intense. There was not one second during any of the
songs that I wasn’t amazed by the intense drum beats or the stylistic dancing.
There were many more songs performed, called Gyil, Kundun, Sinta, Gahu, Jare,
and Adjogbo. I’d say the two most memorable pieces were the two performed by
the African Drum and Dance Ensemble rather than the Seminar class. These two
were Jare and Adjogbo. They both featured a guest from Africa named Sulley
Imoro. The culture and greatness he brought to the stage made everyone shine
even more. He was accompanied by students that have actually taken the class in
Africa, which made the performance that much more believable. During a few of
the songs, there was singing that was done in the African language, which added
to the texture of the different instruments being played. This type of music is
not very comparable to anything that we learned in class. It is its own genre
of music that I found so interesting, fun and amazing. I definitely enjoyed
this concert thoroughly and would recommend anyone to go see it in the future
if given the chance. <o:p></o:p></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/08377162148355478102noreply@blogger.com0tag:blogger.com,1999:blog-2980215445761873989.post-28507137212667260472013-10-24T07:47:00.004-07:002013-10-24T07:47:57.442-07:00Romanticism Painting<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc22JUF4lFxqDJcsFi8NlTIls0QUO59Y7bCVxJdJ0zEMPnVJclLH03DmdChn3ZtfYpFzp0dZkx6axiqnvGf9nCO-SKFW5h1LN1dGUBB74zcYqQckUXiQ3dxgqMBLzJ8MMGXi9PLUQOIoo/s1600/David+-+Wanderer+Above+Sea+of+Mist.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc22JUF4lFxqDJcsFi8NlTIls0QUO59Y7bCVxJdJ0zEMPnVJclLH03DmdChn3ZtfYpFzp0dZkx6axiqnvGf9nCO-SKFW5h1LN1dGUBB74zcYqQckUXiQ3dxgqMBLzJ8MMGXi9PLUQOIoo/s320/David+-+Wanderer+Above+Sea+of+Mist.png" width="241" /></a></div>
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<!--StartFragment--><span style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: "MS 明朝"; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;"> In this beautiful painting, “Wanderer Above Sea
of Mist” by the German artist, Caspar David Friedrich, it is obvious to see the
Romantic ideals. It was painted in the prime of the Romantic Era in 1818 with
oil on canvas. In the foreground of the picture, there is a seemingly young man
standing on a vast rocky scenery which appears to be very high. He is gazing
into the distance over a sea of mist or fog. It is left up to interpretation
why this man would be standing in this spot. With the title being “Wanderer
Above Sea of Mist”, it leads me to think that this man is an adventurer. That
he is exploring the unknown to fulfill his curiosities in some way. This ties
in with the characteristic of romanticism, the rugged individual. From this
perspective it is obvious to see that this man is by himself and from the title
you get the feeling that he is a dreamer as well, which is another name for an
individual. He is alone in his ways of travel, but that fits in with the
aesthetics of romanticism perfectly. Another aspect of romanticism that could
be seen in this painting is a longing for the infinite. This may not be
something that is thought of right away at first glance of this piece of art,
but when you think harder about it, it can be seen. In my mind, I thought, what
is this man thinking? Why is he all the way on the top of this rock? I came to
believe that he was searching or longing for something, which ties into the
longing for the infinite. Lastly, the most obvious romantic aspect of this oil
painting is the glorification of nature seen within it. Everything from the
gorgeous sky, to the mysterious mountains in the distance, to the wispy fog and
jagged rocks, nature is caught in a purely authentic form in this artwork.
Romanticism was the start of a whole new generation of art, and I think it was
one of the greatest eras without a doubt. The whole new approach and idea of
Romanticism gave an attitude to art that was never seen before. The “Wanderer
Above Sea of Mist” was an excellent example to explain the true ideals and
aesthetics of the Romantic Era. </span><!--EndFragment--></div>
Anonymoushttp://www.blogger.com/profile/08377162148355478102noreply@blogger.com2tag:blogger.com,1999:blog-2980215445761873989.post-89624339838115023772013-10-12T15:04:00.001-07:002013-10-12T15:04:42.543-07:00Mozart Symphony #40 in G Minor
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http://www.youtube.com/watch?v=-hJf4ZffkoI</div>
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It is
interesting to see how music from such a long time ago, helps so well with
learning modern day ideals. Even though I am not too apt at dissecting music
put before me, I most definitely try my hardest to attempt. For my post, I
chose a Mozart symphony. It is his symphony #40 in G Minor, K 550. I chose what
I believe to be the first phrase of the piece, which is the first 12 seconds of
the video. The instruments that are playing are only two violins and I believe
a cello to accompany them. The song has a pretty steady rhythm, with a 4/4 time
signature. These first twelve seconds, however short, hold a lot of
information. This part of the symphony is one period, cut into two phrases. The
whole period has 4 measures in total, which means that each phrase must have
two. It is sometimes hard for me to tell the difference between the half
cadence and the interrupted cadence. However, I am pretty positive that this
has a half cadence in it, because the first phrase doesn’t end on a tonic note.
Both of the phrases have the same beginning melody, which means that they are
parallel to one another. Also, with the knowledge that there is a half cadence,
it is known that that means it is also an interrupted period.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeju1aIN1C_L1ulJONPEzJxu-QUPLJfmDiFf1cghySaIsFqvbJ_QVQNOXvlIdXiFmVNMS7zBOlwOX_efsA-Y0fsTIcbWM1VWkpEb0w8rvFhVulvEPu96co1TqBEudT6V2eQnaRVGfiib4/s1600/photo.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeju1aIN1C_L1ulJONPEzJxu-QUPLJfmDiFf1cghySaIsFqvbJ_QVQNOXvlIdXiFmVNMS7zBOlwOX_efsA-Y0fsTIcbWM1VWkpEb0w8rvFhVulvEPu96co1TqBEudT6V2eQnaRVGfiib4/s320/photo.JPG" width="320" /></a></div>
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<div class="MsoNormal">
This particular piece relates strongly to the Enlightenment
ideals. One thing that the Enlightenment focused on was balance and symmetry,
which this piece most definitely has. The beginning melody is repeated in the
second phrase, keeping it orderly and symmetric. This piece was definitely made
for the rich people during the Enlightenment Era, not for the masses like it
was more commonly made for. The most distinct feature that relates it to the
Enlightenment is mostly the fact that it is balanced. Dissecting Mozart’s music
helped me understand even more how to distinguish the certain cadences and
periods. <o:p></o:p></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/08377162148355478102noreply@blogger.com3tag:blogger.com,1999:blog-2980215445761873989.post-35173484392876309142013-09-29T18:20:00.003-07:002013-09-29T18:20:48.577-07:00The Age of Enlightenment
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The Enlightenment era took place in the late 17<sup>th</sup>
and 18<sup>th</sup> century in Europe, and it was an extreme cultural movement.
In my opinion, this is when art and music started to make a larger impact on
the world all around. In regards to people, the two names that stood out the
most to me were Thomas Hobbes and John Locke. I remembered learning about their
ideologies and ways in high school; they both promoted opposite things, but
made a large impact on society. What stood out to me the most when we learned more
about the Age of Enlightenment was the opera that we had watched on Friday, Don
Giovanni. I have heard operas before, but honestly I have never been a huge fan
of them. The fact that I can’t understand what they are saying is very
confusing to me. However, watching it up close and personal in class made me
realize that the amount of facial expressions they make and the body movements
that they do helps you understand it just as much. I couldn’t take my eyes off
of the screen and I thought that their voices were beautiful. If I were living
in the Enlightenment era, I would probably go see operas all of the time for
their entertainment value. The fact that they are not as popular in modern age
is a little disappointing. I think people are too consumed with the pop culture
that surrounds us now to absorb the beauty that we can find in this type of music.
People of my era especially are not introduced to this music very often, making
us less likely to listen to it, unless we do it on our own time. The Age of
Enlightenment speaks for itself with its title, because I believe that it
enlightened people to think in many different ways. With all of the forms of
art, music, and culture presented during this time, people were typically more
intellectual and tuned into society. I believe that is something that we are
missing from our culture nowadays. We are too consumed with everyone’s lives but
our own, and we feed on the drama and existence of people we think are higher
than us. However, in reality, if everyone just focused on themselves and what’s
surrounding them closely, they would be able to realize the beauty that they
can achieve. Everyone is capable of making art, music, or anything that would
help the greater good. If more people went to art museums, or the opera, or
even a town meeting, they would be able to realize that there is so much more
that they can offer, or what the world can offer them. The opera made me open
my eyes to realize that I can listen to other types of music rather than what
is considered “popular”. I think the Age of Enlightenment can repeat itself,
with the talent and capability that is left in the many people on this Earth.
So I say, listen to the opera, create a work of art, compose an orchestra,
create a new government, whatever you think would be the right path for you,
because the Age of Enlightenment happened because people pushed themselves to
achieve greatness, and it can most definitely happen again. <o:p></o:p></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/08377162148355478102noreply@blogger.com3tag:blogger.com,1999:blog-2980215445761873989.post-61371991744804710712013-09-22T20:29:00.001-07:002013-09-22T20:29:33.458-07:00Bruno Nettl vs. Emma Moran
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Reading
Bruno Nettl’s essay <i>An Introduction to
Folk Music in the United States </i>made me think about folk music in a
different way. One thing that can definitely be determined by everyone that listens
to folk music is that it doesn’t have a set definition. If I were to give my
own definition of folk music, I would say that it is a simplistic style of
music played by all types of people. It is a very old style of music that is
directed towards various audiences. By saying it’s old however, I mean that it
was created a long time ago, but it can always be modernized. <o:p></o:p></div>
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The importance of origin comes up numerous
times in Nettls’ essay. For example, when someone who is a professional
composes a song it is most likely not considered folk music. However, when
someone who is untrained makes it, it is more likely to be called folk music.
There is also the opinion that a folk song can still be considered folk if
written by a composer, just as long as you don’t know exactly where it came
from. <o:p></o:p></div>
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When speaking of my own definition
of folk music, the first thing I mentioned was that it was simplistic. This
relates to the category of simple vs. complex mentioned by Nettl in his
writing. In folk music, simple is considered just a few instruments playing a
non-complex rhythm. I consider folk instruments to be certain types of string
instruments and maybe some percussion. The factor of complex music is that it
usually has a lot more instruments and it usually is composed, mostly like an
orchestra. <o:p></o:p></div>
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Simple music can also be determined
by how it is viewed by an audience. It is said to be participatory, where
people are entertained by the music. This I thought was an obvious assumption
because all music is created for someone to enjoy. When you get involved with
the music that is playing for you, it is always ten times more entertaining. This
relates to the passive vs. participatory complex that is brought up in Nettls
writings as well. <o:p></o:p></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
I think that these two aspects of
folk music are the most important and also the most controversial. Honestly,
the term simple seems to give the quality of folk music a bad name. When you
think of the word simple, it doesn’t necessarily sound like it’s going to be
good. When in reality, folk music is a great genre of music. Whilst being
simple, it could also very easily become complex as well. The layers of
harmonies and different melodies played in folk music can give it a complex
aura that doesn’t usually go with the “definition” of folk music. I think that
calling it simple can actually be degrading, because I believe that almost all
music is complex. <o:p></o:p></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
I believe that a lot of people
contrary to the masses, think that folk music is passive instead of
participatory. Just because a type of music might be older or slightly
underappreciated, does not make it a passive genre of music. I believe that all
music is participatory just because you are listening to it. Even when you are
sitting listening to an orchestra, you are still participating by being there
and listening to the various instruments play for your own entertainment. <o:p></o:p></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
I think Bruno Nettl gave most of the
information that we already know, that folk music does not have an easy way to
define it. I=It is met by some constraints by the listeners of the music
because most people judge it way too fast. Just because something’s origins are
older or it may seem to be “simple”, it does not mean that it is not good
music. I think Bruno Nettl helped me understand the controversial topic of folk
music more and made me interested to delve into the topic more than I probably
ever would have. Folk music to me is for everyone’s ears, and it can never be
defined, it is just enjoyable music. <o:p></o:p></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/08377162148355478102noreply@blogger.com0tag:blogger.com,1999:blog-2980215445761873989.post-22259126008728873332013-09-20T12:14:00.003-07:002013-09-20T12:14:45.995-07:00Having a Blast at TC Lounges Jazz Night
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Last night, September 19<sup>th</sup>,
at the TC Lounge in the East Tower, I attended an amazing jazz night around
8:30. I’ve heard of these nights, but never actually went to one until last
night. I sat in the corner with my cup of coffee not expecting much, but boy
was I wrong. By the end of the night I honestly didn’t even want to leave, the
music was just that great. The night
started off with some simple jamming on the piano. The pianist was playing a
repetitive piano movement for a warm up while a man clapped a distinct 4/4meter
along with him. <o:p></o:p></div>
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The first song included a stand up
bass, some drums, and a trumpet player. Man that trumpet player absolutely blew
me away. He improvised various beautiful solos that did not have a distinct
melody. The overall sound of the piece was smooth and soft and the one
instrument that definitely stood out was the trumpet. They all ended the song
with some interesting staccato notes that were syncopated and they finally
completed the song on what I believed was a minor note. From the first song, I
realized how much I really enjoy listening to jazz music. This particular piece
made me feel relaxed but had an upbeat feel at the same time. <o:p></o:p></div>
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The second song was a complete
different feel than the first. It was the same three instruments, but it was
very upbeat and fun and if I could I would have definitely danced to it! More
great improvised solos came from the trumpet, making people hoot and holler.
The bass gave a great undertone to the piece with its repetitive notes,
definitely playing into the incredible jazz feel. The drums were more prominent
in this song with random loud strikes of the snare at certain points. In the
middle of the song, the dynamics became very soft causing a much more solemn
mood. It quickly reversed back to the upbeat, louder tune that it began as,
bringing out the fun feel once more. The song ended pretty abruptly, but it fit
the tune perfectly. <o:p></o:p></div>
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They then played a familiar song,
but I could not recall the name of it for the life of me. It was the same
instruments once more, but the song started out very slow and pretty quiet.
When it finally picked up the pace, there was a stand up bass solo that was
attention grabbing. It added very well to the tone of the song, and the texture
became deeper. Throughout this song, the drums were pretty quiet and just
played a back layer. I caught myself thinking so many times how much I loved
the trumpet solos. He was absolutely amazing and can’t wait to hear him again
sometime soon. I noticed when the volume drops in the songs, people talked
more, and I just didn’t understand why because I couldn’t concentrate on
anything else but the amazing music. <o:p></o:p></div>
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In the next song, my favorite
instrument to listen to came into play, saxophones!! There were three
saxophones, a pianist, a stand up bass and a drummer. The saxophone players
made beautiful harmonies that definitely stood out to me. After playing
together, they all had their own solos that were amazing and stood out equally
as much as the other. <o:p></o:p></div>
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I finally recognized a song when a
saxophone by itself came into the mix and started playing the song “There’s A
Place For Us”. I personally loved the effects the cymbals were bringing to the
tune. Being a drummer, I personally love all of the light touches that the
drums enhance. There was a wonderful drum solo in this song. The mood was soft
and kind of sultry, knowing the song and how it is sung. <o:p></o:p></div>
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The last
song that I heard was with a trombone, bass and drums. I never really heard a
trombone solo before so it was pretty interesting. There were very upbeat
rhythms towards the beginning of the song and it was very fast, fun and able to
dance to. It caught my attention from the very beginning, with the trombone and
drums being loud and overpowering. A common thing I noticed in all the fast
paced songs, including this one, was that it gets quiet in the middle and the
mood automatically changes. The drummer rocked out in this song and definitely
stood out the most with its amazing solos. <o:p></o:p></div>
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In
conclusion, I absolutely loved going to the jazz night and will definitely be there
in the future. I saw common themes in each piece, and I would definitely
compare this to some of the folk music we had heard in class. It was definitely
more upbeat and entertained the crowd more, but it had that communal feel that
folk music is supposed to have. I personally loved the trumpet, saxophone, and
drums the most and can’t get the great rhythms out of my head. This event has
inspired me to want to go to many concerts in the future.<o:p></o:p></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgghikDrKljsFPQiQcXzT0OMTxRuV9qPJlTdVZ7O5XB0iFJY3eNAPfqvH0q8Noz1h-GGh4MhU56TgOapL-J83yDzP56cwyTY938Zizbj2w2KpmoKRaBiGCtzsxdSL385FcHyvSXdIGGTak/s1600/jazz.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgghikDrKljsFPQiQcXzT0OMTxRuV9qPJlTdVZ7O5XB0iFJY3eNAPfqvH0q8Noz1h-GGh4MhU56TgOapL-J83yDzP56cwyTY938Zizbj2w2KpmoKRaBiGCtzsxdSL385FcHyvSXdIGGTak/s320/jazz.jpg" width="240" /></a></div>
<div style="text-align: center;">
Few of the instruments I heard last night </div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/08377162148355478102noreply@blogger.com1tag:blogger.com,1999:blog-2980215445761873989.post-80450922958747317912013-09-15T18:20:00.001-07:002013-09-15T18:20:25.099-07:00L!VE from Porchfest!
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This
Sunday, attending Ithaca’s annual Porchfest was an absolute pleasure. First of
all, the atmosphere and musical environment of Ithaca is just so hip and
pleasing. I loved the laid back attitude of just walking down the streets of
the town listening to the various folk music options being played. One piece of
music that stood out to me was an ensemble of men singing a capella to the song
“Happy Together” by The Turtles. Their voices blended so beautifully together
and their harmonies sounded amazing. It was obvious to see that they had
rehearsed this song many times because the rhythm was so well put together. The
texture of the song was very light and balanced well with all of their voices.
It was definitely something that we heard and everyone took a double take to
hear it. Another piece that caught our attention was a jazz ensemble. The band
had a few instruments, the major ones that stuck out in my head being the
trumpet and the singer. The singer they had was a girl and she was singing the
song “Fly Me To the Moon.” The texture of her voice was very smooth and fit in
with the jazz feel that they were going for. The trumpet stuck out to me also
because I noticed the solo that it had. The solo went off the melody and was
very improvised which happens all of the time during jazz tunes. The rhythm of
the song was very steady and I was tapping my foot along with it the whole
time. There were many recognizable acts performing at the porch fest this year,
but these two seemed to make the biggest impact in my mind. Overall, Porchfest
was a very enjoyable time and I will definitely be attending it in my next four
years to come here at Ithaca!<o:p></o:p></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/08377162148355478102noreply@blogger.com0tag:blogger.com,1999:blog-2980215445761873989.post-25309827267198226422013-09-09T14:47:00.002-07:002013-09-09T14:47:25.972-07:00Katy Perry Stars in Emma's Second Blog Post<div style="text-align: center;">
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http://www.youtube.com/watch?v=k0BWlvnBmIE</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoBfMV8a6Gcq5xCTKPG1Lz_YY3mKsJjETky8UBB4mbMYM51VSgKkNijf988YCTQatLHoiQysV9WQRb4lReT05FHfDW3RJmiUKXWi79kHzDWauuqAlT1RUnGfN2owbgix2HA7Ccqtt7gog/s1600/wide_awake.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoBfMV8a6Gcq5xCTKPG1Lz_YY3mKsJjETky8UBB4mbMYM51VSgKkNijf988YCTQatLHoiQysV9WQRb4lReT05FHfDW3RJmiUKXWi79kHzDWauuqAlT1RUnGfN2owbgix2HA7Ccqtt7gog/s320/wide_awake.jpg" width="320" /></a></div>
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<span style="text-align: justify; text-indent: 0.5in;"> Before picking my song, I had to listen to about 15 other
ones, because I honestly don’t truly understand the concept of the cadences
yet. I listened to songs from a lot of genres, from Broadway to rock to rap to
pop. It was a difficult process for me, but I think I finally found a song that
fits what I’m looking for. In one of my favorite songs, “Wide Awake,” by my
favorite pop star, Katy Perry, I noticed what I believed to be the HC-PAC cadence
in almost the very beginning of the song.
I’ve heard this song so many times, but I never took the time to analyze
it this closely. From 0:58-1:18, Katy
repeats the same phrase twice with the lyrics:</span></div>
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I'm wide awake<o:p></o:p></div>
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Yeah, I was in the dark<o:p></o:p></div>
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I was falling hard<o:p></o:p></div>
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With an open heart<o:p></o:p></div>
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I'm wide awake<o:p></o:p></div>
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How did I read the stars so wrong?<o:p></o:p></div>
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I'm wide awake<o:p></o:p></div>
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And now it's clear to me<o:p></o:p></div>
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That everything you see<o:p></o:p></div>
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Ain't always what it seems<o:p></o:p></div>
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I'm wide awake<o:p></o:p></div>
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Yeah, I was dreaming for so long.<o:p></o:p></div>
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<br /></div>
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The point where
she says “with an open heart” is where I believe the half cadence presents
itself. I thought this to be a half cadence because I think it ends on the
dominant V cord because there’s a D in it. Then when she says “How did I read
the stars so wrong?”, that is the PAC because it ends on the tonic cord and it
feels complete and closed like it should. This pretty much exactly repeats itself
again in the second phrase of the song in the same places. The difference
between a HC and an IAC confuses me, but I believe I picked the right cadence
pattern for this particular song. Either way, this blog made me happy because I
got to jam to Katy Perry in my room for a while trying to figure it out. Hope
you enjoy listening to my favorite pop star as much as I do! <o:p></o:p></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/08377162148355478102noreply@blogger.com3tag:blogger.com,1999:blog-2980215445761873989.post-8486303119571667872013-09-02T13:47:00.002-07:002013-09-02T13:47:30.587-07:00Magic To Do from Pippin Blog Post #1<!--[if gte mso 9]><xml>
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<br />
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
http://www.youtube.com/watch?v=j97_y_z0jmU<br />
<br />
The
song that I chose to write about comes from my favorite Broadway musical, “Pippin.” This past summer I saw
this amazing show, and the opening number grabbed my attention right away.
“Magic To Do” was a perfect song to grasp the minds, ears and eyes of everyone
watching. <o:p></o:p></div>
<div class="MsoNormal" style="text-align: justify; text-indent: .5in; text-justify: inter-ideograph;">
The piece starts out with a string ensemble, and adds on more
instruments as it goes. The first 26 seconds of the piece I’m not able to
identify a distinct meter, and there is a polyphony going on. It sets up the
mood as if the orchestra is getting prepared for the show just like the actors.
This ties in well with the circus themed plot. <o:p></o:p></div>
<div class="MsoNormal" style="text-align: justify; text-indent: .5in; text-justify: inter-ideograph;">
From 0:27-0:30, there is a crescendo and chord progression in
the string instruments that sets us up for the tune to really begin its
“magic”. From 0:30-0:36, there is a fermata in the string section until the
keyboard starts the bass line right after. When the keyboard does come in, it
sets up a clear meter, which is 4/4. <o:p></o:p></div>
<div class="MsoNormal" style="text-align: justify; text-indent: .5in; text-justify: inter-ideograph;">
At 0:54, a chorus of voices enters with “ooos” in harmony and
repeat the same pattern. This sets up the first phrase of the song and the
melody slowly comes into play. There is a steady rhythm in the singing of the
chorus, and it is easy to follow along with the beat. <o:p></o:p></div>
<div class="MsoNormal" style="text-align: justify; text-indent: .5in; text-justify: inter-ideograph;">
The “Leading Player”, Patina Miller, enters at 1:11 and
starts to tell the audience that there is “Magic To Do” for all of us. With her
voice and the words she uses, the texture of the song makes you feel welcomed
and excited for the events to come. The accompaniment under her voice is a
repeated steady rhythm with some modulations. <o:p></o:p></div>
<div class="MsoNormal" style="text-align: justify; text-indent: .5in; text-justify: inter-ideograph;">
Through the whole first verse and chorus, the dynamics of the
song remain at a mezzo forte sound. In the chorus, the instruments still
maintain a steady rhythm but in a different pattern. At 2:00, the instruments
and the Leading Players’ voice both slightly decrescendo and have a different
feel to them, setting us up for the next verse.<o:p></o:p></div>
<div class="MsoNormal" style="text-align: justify; text-indent: .5in; text-justify: inter-ideograph;">
At 2:08, other characters start making their appearances and
have their own solos. The key also changes at this point of the song. Then at
2:16, the chorus comes back into play and makes a group harmony that sounds
consonant.<o:p></o:p></div>
<div class="MsoNormal" style="text-align: justify; text-indent: .5in; text-justify: inter-ideograph;">
At 2:35, Patina does an arpeggio and sets us up for the main
chorus. The whole song seems to be in a major chord because it sounds positive
and optimistic. The instrumental break starting at 3:07 brings more of a fun
feel into the song and this is when they start doing interesting acrobatic
tricks and intriguing the audience even more.<o:p></o:p></div>
<div class="MsoNormal" style="text-align: justify; text-indent: .5in; text-justify: inter-ideograph;">
At 3:37, the music starts to crescendo again with a chord
progression, leading us to believe that the singing is going to come back in
soon. Starting at 4:00, the song moves into counterpoints and the chorus starts
overlapping their words. This gives the feeling of an organized chaos. At 4:17,
the ensemble sounds unison. Another decrescendo occurs, and the tone becomes
more ominous. The ending of the song starts with a whole note including the
entire orchestra, and it ends on a staccato quarter note. <o:p></o:p></div>
<div class="MsoNormal" style="text-align: justify; text-indent: .5in; text-justify: inter-ideograph;">
The texture of the song sets up the mood for the entire play.
If you look into the deeper meaning behind the ominous sections of the music,
you can realize the foreshadowing that the players are not going to be great
people. The opening number of any
musical is supposed to captivate you, and “Magic To Do” from “Pippin” is the
perfect example of why that is true. <o:p></o:p></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/08377162148355478102noreply@blogger.com1